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Stonebwoy vandalised my studio – Beatz Dakay

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Ghana's showbiz was hit with news of an end of a working relationship between Dancehall artiste, Stonebwoy and his resident producer, Beatz Dakay on a very unfriendly terms.

A publication by Flex Newspaper said the two parted ways over unsettled financial disputes.

“Beatz Dakay had earlier demanded for a percentage sharing of all gigs will play because he does not charge him for the production. He demanded for 20% but Stonebwoy was only ready to give 5%. Again Stonebwoy has now set up his own studio in his house and instead of using his known producer Beatz Dakay for his works, he is rather using a young producer who goes by the name Awaga and was trained by Beatz Dakay,” portions of the publication read.

Beatz Dakay

Beatz Dakay

Two days after Stonebwoy addressed issues of a rift, Beatz Dakay in a lengthy post, has given his account of the matter, alleging that Stonebwoy once vandalised his studio after talks between them went bad.
Read his unedited account as posted on his Facebook wall below:
“Honesty is the best policy.
It's quite unfortunate I have to put this out at this time because it's so appalling seeing fabricated stories about Stonebwoy and I circulating and painting the wrong picture of me in the process.
The fact is for the past years ,I have sacrificed a lot to produce,record,direct,mix and master songs for Stonebwoy without taking a penny until he became relevant in the music scene and hence arrangement was made to pay me 5%,not only for my exclusive productions but also as a backup artiste.
It was reported in flex news paper that I demanded for 20% of earnings and also I am frustrated because I am broke and my family is having a hard time which are all false.
I only started getting 5% of the earnings when Management of Burniton Music Group sat down to apportion that to me as my share of profits from my work for Stonebwoy and Burniton Music Group. And even with that I never knew the round figure we make, to calculate my 5% to know if I'm getting exactly what they think i deserve.
It is true i raised concerns in adjustment of my 5% after about three (3) years of my services but never mentioned 20%.
We discussed this together and Stonebwoy resorted to see his lawyer to bring in contract which was a great idea, but terms and conditions in the contract were not favourable and also due to the hasty nature of the process i didn't sign.
I knew I had not signed any contract yet,so i expected the previous agreement to still hold till we sign a new contract but was dismayed by Stonebwoy going ahead to put the terms in the contract to work. I went to his residence to discuss with him the turn of events and as a result of his utterances I knew it didn't go down well with him. He later came to my studio with Blakk Cedi,who is his manager now, to have a meeting with me to discuss the issues at hand but that meeting ended with Stonebwoy vandalizing my studio where most of his works were recorded.
They came back after the damage to have another meeting with me with the aim of resolving issues and to apologize for his act.We came into new terms and by his words,I understood i can't talk to him anymore over anything relating to work because there is Blakk Cedi who is his official manager to talk to.
I want fans who are speculating about my travels to know that I paid for all my travel expenses,being it visa fees and plane tickets whenever i travel outside to work with/for Stonebwoy if the host could not afford my ticket.
As walls have ears I think the reporter who wrote the story making rounds in the media did not get his/her facts accurate.
Truth is,I mixed and mastered “Enku Lenu” for a fee which was never the case before and it was produced by Awaga who has been my trainee/protege and still is,but I have allowed him to help Stonebwoy with his works in his newly built studio.
I have been sober on this,but lies can't be hidden from the public's eye, and the ugly misconceptions people have needs to be trashed.
I worked with Stonebwoy and the team for years and do not regret it. It has been a great learning process and I am much grateful to God for how far we have come.
I want Ghanaians and the rest of the world to know that my studio from its inception has been open for commercial use,and I am still very much open to work with any artiste who is ready to work with me.
Hence,my Record Label “TooEasy” which has been in existence before my BMG affiliation has been and is still dedicated to grooming artistes and music producers.
I therefore wish Burniton Music Group the best of luck in all their endeavors.”
 


 
credit : abrantepa.com

Samuel Amadotor, known professionally as D.Klass GH is Multiple Award Winning Ghanaian Blogger, Music Promoter, Publicist, Pharmacy Technician by Profession and the Founder of Dklassgh.Com. He has an interest in promoting Up and coming artists and has a keen interest in showcasing the talents in Volta Region. His blogging covers international artists and has affiliates around Africa to boost his reach to the targeted audience. Get In Touch if you need my service | Email: [email protected]| Call/whatsapp: 0241 444 116 Or connect with me across social media handles, @Dklassgh

ENTERTAINMENT NEWS

KO7’s Name Appears In A Class Project For Ghana Institute Of Journalism(GIJ)

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KO7

Ghanaian Eastern Regions fast uprising musician, 's name has again appeared in a Ghanaian Institute Journalism school project.

 's name this time around appeared in a journalism school project on the end of second-semester exams of level 200 students studying Journalism at Ghana Institute Of Journalism.

The students were asked to produce a new paper article as their project work with stories from Current Affairs, Sports, Current Affairs and Entertainment.

KO7
KO7

GET TO KNOW ABOUT KO7

John Nkansah, popularly known as KO7 , is a fast-rising artist from Kwahu Obomeng in the Eastern Region of Ghana, With his unique blend of highlife and afrobeat, he has quickly become a fan favorite in the region and beyond.

  KO7 Music started his music career in 2013 and has been on a steady rise ever since. He caught the attention of music lovers in the region with his hit song “Ya Socketti” in 2019, which showcased his catchy melodies and relatable lyrics.

 In 2019, KO7 Music won the Eastern Music Awards Best Collaboration of the Year award, and this served as a stepping stone for him to gain more recognition in the industry. He has also won the Kwahu Music Awards Artist of the Year in 2022 and 2023, as well as the Eastern Music Awards Artiste of the Year in 2022 and 2023.

 Some of KO7 Music's notable songs include “Gaza,” “Na Who,” “Style Biaabi,” and “Ya Socketti.” He also released a song titled “All Stars” in 2021, which featured all the top artists in Kwahu. This song served as a testament to his ability to bring artists together and create a hit song.

 Apart from his music, KO7 Music is also known for his philanthropic works in the community. He has used his platform to support various initiatives, including providing scholarships to students in his hometown and supporting the construction of a community library. KO7 Music has featured a lot of top artists on his songs such as Fameye, Obibini, Epixode, Luther now Luta GH, and many other top artists.

KO7 Music is a rising star in the Ghanaian music industry, and his talent and hard work have earned him a loyal fan base. With his unique sound and dedication to his craft, it is only a matter of time before he becomes a household name in Ghana and beyond.

 KO7 Music's hard work and dedication to his craft have paid off, and he has worked with various record labels such as Sent One Records, Wireless Moni Crew, and Team Success Entertainment. He is currently signed under 7Muzik record label and has been making waves with his latest song titled ‘No Fake' and enjoying good streaming numbers in the digital space.

Song Via Link Below

BOOMPLAY

https://www.boomplay.com/songs/127066803?srModel=COPYLINK&srList=WEB

AUDIOMACK

YOUTUBE

 2023 shows played by Ko7

1. OBOUBA FM EASTER AKWAABA BASH

2. ADOM FM KWAHU EASTER

3. AFC

4. Ghana tertiary excellence awards

5. Ko7 Accra invation  annual show organized by Team Ko7

6. Eastern music festival

7. The trap bars lunch

8. Eastern Music awards

9. XSSENCE party

10. Ponobiom & friends pool party.

11. Ghana talk radio street carnival

 2024

1.       Poum fest

2.       Rep your jersey pool party

3.       Kwahu music awards

4.       Adom Kwahu Easter(in March).

PR STORY BY : ZOLLA NIE

PR & MARKETING COMMS EXEC,

FOUNDER LIVENEWSGH

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ENTERTAINMENT NEWS

Jonilar Urges Ghanaian creatives to watch industry trends

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Jonilar Urges Social Media Platforms to Revamp Copyright Policies and Fairly Compensate ContentCreators

Ghanaian digital music expert  Jonilar known in real life Jonathan Nii Laryea  has stressed the importance of understanding industry standards, pointing out that many talented creatives struggle due to a lack of awareness about some of the key aspects that could determine their success.


Jonilar, who doubles as Ghana country director and brand ambassador for Uganda-based aggregator Omziki, made this known while speaking at the second edition of the Digital Music Education Seminar held on 23 March at the Okumah Executive Lodge in the Bono East region of Ghana.


The seminar, running under the theme bridging the Gap between Music Education and the Industry, sought to equip musicians and creatives with essential knowledge about the music industry.


Other speakers for the event included health professional and MC Yaw Ampofo Adomako, public relations expert Isaac Sosito, as well as broadcasters Gideon Kwame and Bretuoba Kwabena.


Jonilar noted that instead of solely relying on social media for support, musicians should invest in learning how to establish connections within the industry. He further urged local media to prioritise crafting radio content that educates creatives and reiterated his call from last year's event to the government and other stakeholders to invest in digital music incubator programmes in junior and senior high schools nationwide.

At last year's seminar,Jonilar also proposed a one-year tax break for media and influencers promoting arts, music, and tourism to bolster Ghana's creative and cultural sectors.


Ampofo, meanwhile, emphasised the significance of mental wellness for creatives,
highlighting its role in preventing unforeseen consequences, while Kwame advised musicians to cultivate business relationships with media professionals to enhance their visibility on radio. Sosito underscored the importance of improving communication skills and seeking professional assistance in managing one's brand. 


Speaking to Music In Africa, Jonilar said the event “has been very impactful,” adding that he was excited about the turnout. “It shows the zeal and level of commitment by musicians and creatives here to learning new ways they can advance their careers.”

Story; Gabriel Myers Hansen

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ENTERTAINMENT NEWS

Michael Adjetey and Ebenezer Okrah Call For “Change” In Powerful New Single 

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Michael Adjetey

In their latest musical collaboration, and Ebenezer Okrah have taken a bold step to address issues in African society. Their new song, titled ‘Change,' serves as a powerful call to action, urging Africans and Ghanaians to demand accountability from their political leaders. The artists emphasize that the failures of corrupt politicians should not be tolerated or excused, and instead advocate for a collective effort towards positive change.

At a time when corruption and political misconduct continue to hinder progress in many African nations, ‘Change' serves as a much-needed anthem for disillusioned citizens. and Ebenezer Okrah deliver an empowering message, encouraging Africans to take a stand against the rampant corruption that has plagued their societies for far too long. Through their lyrics, the artists emphasize the importance of holding politicians accountable and demanding transparency in governance.

The song ‘Change' highlights the artists' frustration with the lack of development and progress resulting from the actions of corrupt politicians. Michael and Ebenezer's lyrics convey a sense of disappointment, as they express the belief that Africans and Ghanaians deserve better leadership. They emphasize that the failures of politicians should not be an excuse for the stagnation of their countries; instead, it should be a catalyst for change and collective action.

‘Change' by Michael Adjetey and Ebenezer Okrah serves as a rallying cry for Africans and Ghanaians to address the issue of corruption in their respective countries. Through their powerful lyrics, the artists urge citizens to hold their leaders accountable and work towards achieving a brighter future. This song has the potential to inspire a collective movement towards positive change, empowering individuals to actively participate in shaping the destiny of their nations.

Ebenezer and Michael believe in hard work. However, they also affirm the believe that without God, nothing is impossible. They implore society in general to change from iniquities to holiness, for what shall it profit a man/woman, if you gain the whole world but lose your soul. “Change” is a clarion call for salvation, not only to the politicians, but to all humanity. So, going forward, if we say “OPUTUNUU”, you say “WA MA TSA K3 MI”. We've got to change inside y'all. Change MUST Come.  

Audio Link : https://ditto.fm/eochange

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