ENTERTAINMENT NEWS
Luther accused of stealing beat for latest record 'Physical Education'
Fast growing artiste of Ghanaian decent with popular hit track “Rukia” has threatened to sue emerging sound engineer for reselling his beat to another recording artiste Luther.
The Afrobeat singer Larry Prince (formerly Larry Lizard) in an interview with bjrlivefm.com revealed how hurt he is to have heard his beat produced by Horrofix Umaga being used by the ‘Psalm 23’ artiste – Luther.
The beat under investigation according to OPM (Management of Larry Prince), Luther has recorded a song with title Physcial Education which features Screw Face. Jay O (team lead of OPM) disclosed that “the beat was initially created for OJ Blaq way back in 2014 when the producer, Horrofix Umaga worked together with him on a project.”
According to Jay O; “when the producer -Horrofix Umaga was working with OJ Blaq, he made the beat but OJ couldn’t record on it due to his illness and so he sold the beat to Larry on terms that OJ has stopped doing circular music”
“In 2016, we met Horrofix Umaga for him to create a beat that suit my artiste” “He played to us several beats he had already made but the one we had the groove on, he said he initially created ‘this’ beat for OJ Blaq. We had a lengthy chat and we arrived at a figure after which he decided to sell the beat he initially created for OJ Blaq to us stating that OJ Blaq was not even interested in recording on the beat at that time since he fell sick” “We’re in the studio trying to finish our record on the beat and we hear Luther has already released a song with our beat”
“When we asked the sound engineer why our beat is out there on another artiste’s song, he denied knowing anything about Luther having his beat but he confirms that the riddim on his Physical Education song which features Screw Face is his handy work”
“In several attempts to retrieve our money from the sound engineer which failed, we have decided to sue him for a better way of settling this issue”, Jay O concluded.
Meanwhile, the sound engineer, Umaga has confirmed that the beat which was initially created for OJ Blaq was supposed to feature Luther on a song until OJ’s sickness issue erupted.
“Luther had access to the beat because OJ was supposed to record a song with him until he fell sick”
“Even after OJ Blaq’s long silence after receiving the beat, I asked Pappy of 5 Five to take a turn on it but he also wanted to feature Luther on the same beat”
“It was then that Luther told Pappy the beat was his and that he was planning to feature OJ Blaq so he can’t put him on the record”
“I had a chat with Luther about the whole issue but he denied knowing me and questioned who I was to ask him why he used a certain beat for his song”
“I don’t know why OJ Blaq and Luther’s collaboration didn’t happen later but OJ told me he lost interest in circular music.”“Knowing that Pappy wasn’t ready to use the beat since Luther kept insisting the beat was his, I finally decided to sell the beat to an artiste I felt could make good use of it, and Larry Prince was a good bidder, not knowing Luther had already used the beat without anybody’s notice and he gave credit to another NoJoke” Umaga narrated.
A call to Luther to confirm his side of the story has’t been successful.
Horrofix Umaga is known for producing song like; Yaa Pono’s ‘One Roll’, Tipgy – He Put Mi On, amongst others… More to come.
credit: bjrlivefm.com
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KO7’s Name Appears In A Class Project For Ghana Institute Of Journalism(GIJ)
Ghanaian Eastern Regions fast uprising musician, KO7's name has again appeared in a Ghanaian Institute Journalism school project.
KO7's name this time around appeared in a journalism school project on the end of second-semester exams of level 200 students studying Journalism at Ghana Institute Of Journalism.
The students were asked to produce a new paper article as their project work with stories from Current Affairs, Sports, Current Affairs and Entertainment.
GET TO KNOW ABOUT KO7
John Nkansah, popularly known as KO7 , is a fast-rising artist from Kwahu Obomeng in the Eastern Region of Ghana, With his unique blend of highlife and afrobeat, he has quickly become a fan favorite in the region and beyond.
KO7 Music started his music career in 2013 and has been on a steady rise ever since. He caught the attention of music lovers in the region with his hit song “Ya Socketti” in 2019, which showcased his catchy melodies and relatable lyrics.
In 2019, KO7 Music won the Eastern Music Awards Best Collaboration of the Year award, and this served as a stepping stone for him to gain more recognition in the industry. He has also won the Kwahu Music Awards Artist of the Year in 2022 and 2023, as well as the Eastern Music Awards Artiste of the Year in 2022 and 2023.
Some of KO7 Music's notable songs include “Gaza,” “Na Who,” “Style Biaabi,” and “Ya Socketti.” He also released a song titled “All Stars” in 2021, which featured all the top artists in Kwahu. This song served as a testament to his ability to bring artists together and create a hit song.
Apart from his music, KO7 Music is also known for his philanthropic works in the community. He has used his platform to support various initiatives, including providing scholarships to students in his hometown and supporting the construction of a community library. KO7 Music has featured a lot of top artists on his songs such as Fameye, Obibini, Epixode, Luther now Luta GH, and many other top artists.
KO7 Music is a rising star in the Ghanaian music industry, and his talent and hard work have earned him a loyal fan base. With his unique sound and dedication to his craft, it is only a matter of time before he becomes a household name in Ghana and beyond.
KO7 Music's hard work and dedication to his craft have paid off, and he has worked with various record labels such as Sent One Records, Wireless Moni Crew, and Team Success Entertainment. He is currently signed under 7Muzik record label and has been making waves with his latest song titled ‘No Fake' and enjoying good streaming numbers in the digital space.
Song Via Link Below
BOOMPLAY
https://www.boomplay.com/songs/127066803?srModel=COPYLINK&srList=WEB
AUDIOMACK
YOUTUBE
2023 shows played by Ko7
1. OBOUBA FM EASTER AKWAABA BASH
2. ADOM FM KWAHU EASTER
3. AFC
4. Ghana tertiary excellence awards
5. Ko7 Accra invation annual show organized by Team Ko7
6. Eastern music festival
7. The trap bars lunch
8. Eastern Music awards
9. XSSENCE party
10. Ponobiom & friends pool party.
11. Ghana talk radio street carnival
2024
1. Poum fest
2. Rep your jersey pool party
3. Kwahu music awards
4. Adom Kwahu Easter(in March).
PR STORY BY : ZOLLA NIE
PR & MARKETING COMMS EXEC,
FOUNDER LIVENEWSGH
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Jonilar Urges Ghanaian creatives to watch industry trends
Ghanaian digital music expert Jonilar known in real life Jonathan Nii Laryea has stressed the importance of understanding industry standards, pointing out that many talented creatives struggle due to a lack of awareness about some of the key aspects that could determine their success.
Jonilar, who doubles as Ghana country director and brand ambassador for Uganda-based aggregator Omziki, made this known while speaking at the second edition of the Digital Music Education Seminar held on 23 March at the Okumah Executive Lodge in the Bono East region of Ghana.
The seminar, running under the theme bridging the Gap between Music Education and the Industry, sought to equip musicians and creatives with essential knowledge about the music industry.
Other speakers for the event included health professional and MC Yaw Ampofo Adomako, public relations expert Isaac Sosito, as well as broadcasters Gideon Kwame Sarkodie and Bretuoba Kwabena.
Jonilar noted that instead of solely relying on social media for support, musicians should invest in learning how to establish connections within the industry. He further urged local media to prioritise crafting radio content that educates creatives and reiterated his call from last year's event to the government and other stakeholders to invest in digital music incubator programmes in junior and senior high schools nationwide.
At last year's seminar,Jonilar also proposed a one-year tax break for media and influencers promoting arts, music, and tourism to bolster Ghana's creative and cultural sectors.
Ampofo, meanwhile, emphasised the significance of mental wellness for creatives,
highlighting its role in preventing unforeseen consequences, while Kwame Sarkodie advised musicians to cultivate business relationships with media professionals to enhance their visibility on radio. Sosito underscored the importance of improving communication skills and seeking professional assistance in managing one's brand.
Speaking to Music In Africa, Jonilar said the event “has been very impactful,” adding that he was excited about the turnout. “It shows the zeal and level of commitment by musicians and creatives here to learning new ways they can advance their careers.”
Story; Gabriel Myers Hansen
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Michael Adjetey and Ebenezer Okrah Call For “Change” In Powerful New Single
In their latest musical collaboration, Michael Adjetey and Ebenezer Okrah have taken a bold step to address issues in African society. Their new song, titled ‘Change,' serves as a powerful call to action, urging Africans and Ghanaians to demand accountability from their political leaders. The artists emphasize that the failures of corrupt politicians should not be tolerated or excused, and instead advocate for a collective effort towards positive change.
At a time when corruption and political misconduct continue to hinder progress in many African nations, ‘Change' serves as a much-needed anthem for disillusioned citizens. Michael Adjetey and Ebenezer Okrah deliver an empowering message, encouraging Africans to take a stand against the rampant corruption that has plagued their societies for far too long. Through their lyrics, the artists emphasize the importance of holding politicians accountable and demanding transparency in governance.
The song ‘Change' highlights the artists' frustration with the lack of development and progress resulting from the actions of corrupt politicians. Michael and Ebenezer's lyrics convey a sense of disappointment, as they express the belief that Africans and Ghanaians deserve better leadership. They emphasize that the failures of politicians should not be an excuse for the stagnation of their countries; instead, it should be a catalyst for change and collective action.
‘Change' by Michael Adjetey and Ebenezer Okrah serves as a rallying cry for Africans and Ghanaians to address the issue of corruption in their respective countries. Through their powerful lyrics, the artists urge citizens to hold their leaders accountable and work towards achieving a brighter future. This song has the potential to inspire a collective movement towards positive change, empowering individuals to actively participate in shaping the destiny of their nations.
Ebenezer and Michael believe in hard work. However, they also affirm the believe that without God, nothing is impossible. They implore society in general to change from iniquities to holiness, for what shall it profit a man/woman, if you gain the whole world but lose your soul. “Change” is a clarion call for salvation, not only to the politicians, but to all humanity. So, going forward, if we say “OPUTUNUU”, you say “WA MA TSA K3 MI”. We've got to change inside y'all. Change MUST Come.
Audio Link : https://ditto.fm/eochange
Youtube
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