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Sex in exchange for fame is real – Wiyaala

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Showbiz icon has cautioned upcoming female artistes to be wary of characters in the local entertainment industry who demand sexual favours in return for their supposed help.
She, however, submitted that “there are many genuine guys in the industry,” insisting that she had benefitted from the support of some good guys.
Speaking to Graphic Showbiz in Wa last Tuesday after a short performance at a music, dance and cultural festival among selected schools, said the so-called ‘sex-for-fame' issues were real and not mere talk.
“It is very true; one of the biggest challenges for a female artiste is the demand for sexual favours from some guys.
“Some of those guys meet you and they see that you are desperate; usually they don't even have any connection, they have nothing to offer you, and just come in, wanting to take advantage of you.
“It's unfortunate that you have to meet some of these irresponsible people before you meet the real guys. This tends to put some of the girls off because they come to think that all the guys are like that, but I tell you not all of them are like that. There are some real honourable guys out there.
“I have met some great people who are willing to help push you up there,” she said.
In a frank interview, she paid tribute to Ras Bingy and Echo Sounds – who are both based in Wa – for their help early on in her music career when “they never demanded anything like that for producing my music back then”.
“But before you get to those good guys, the bad ones always come in between; they are all over, and if you are frustrated you may think all of them are like that,” she said.
Yet, she considered the difficulty she faced in the industry initially as an artiste singing in her native Wale dialect as equally frustrating for a beginner.
“Why do they call somebody a Northern artiste, and don't call another a Southern artiste? When you do that you are creating a barrier, and this barrier becomes very high.”
She said the demands on her to do music in Twi as she tried to break into the bigger market in Accra proved frustrating especially when those who encouraged her to sing in Twi still enjoyed songs in foreign and unfamiliar languages.
“They played Angelique Kidjo and others, and yet did not want to listen to Wale lyrics,” she lamented.
A native of Sissala land in the Upper West Region, she worked her way from the environs of Tumu and Wa before taking Accra by storm with hits, some of which have become household songs.
As she watched the display of talents by the youngsters, her motions suggested her approval, and after her own display was backed by some children, she said the future was bright for them.
Attired in an African print, designed perhaps to portray her cultural background, Wiyaala spoke glowingly about African culture, a root she did not want to forget.

Samuel Amadotor, known professionally as D.Klass GH is Multiple Award Winning Ghanaian Blogger, Music Promoter, Publicist, Pharmacy Technician by Profession and the Founder of Dklassgh.Com. He has an interest in promoting Up and coming artists and has a keen interest in showcasing the talents in Volta Region. His blogging covers international artists and has affiliates around Africa to boost his reach to the targeted audience. Get In Touch if you need my service | Email: [email protected]| Call/whatsapp: 0241 444 116 Or connect with me across social media handles, @Dklassgh

ENTERTAINMENT NEWS

KO7’s Name Appears In A Class Project For Ghana Institute Of Journalism(GIJ)

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KO7

Ghanaian Eastern Regions fast uprising musician, KO7's name has again appeared in a Ghanaian Institute Journalism school project.

 KO7's name this time around appeared in a journalism school project on the end of second-semester exams of level 200 students studying Journalism at Institute Of Journalism.

The students were asked to produce a new paper article as their project work with stories from Current Affairs, Sports, Current Affairs and Entertainment.

KO7
KO7

GET TO KNOW ABOUT KO7

John Nkansah, popularly known as KO7 , is a fast-rising artist from Kwahu Obomeng in the Eastern Region of , With his unique blend of highlife and afrobeat, he has quickly become a fan favorite in the region and beyond.

  KO7 Music started his music career in 2013 and has been on a steady rise ever since. He caught the attention of music lovers in the region with his hit song “Ya Socketti” in 2019, which showcased his catchy melodies and relatable lyrics.

 In 2019, KO7 Music won the Eastern Music Awards Best Collaboration of the Year award, and this served as a stepping stone for him to gain more recognition in the industry. He has also won the Kwahu Music Awards Artist of the Year in 2022 and 2023, as well as the Eastern Music Awards Artiste of the Year in 2022 and 2023.

 Some of KO7 Music's notable songs include “Gaza,” “Na Who,” “Style Biaabi,” and “Ya Socketti.” He also released a song titled “All Stars” in 2021, which featured all the top artists in Kwahu. This song served as a testament to his ability to bring artists together and create a hit song.

 Apart from his music, KO7 Music is also known for his philanthropic works in the community. He has used his platform to support various initiatives, including providing scholarships to students in his hometown and supporting the construction of a community library. KO7 Music has featured a lot of top artists on his songs such as Fameye, Obibini, Epixode, Luther now Luta GH, and many other top artists.

KO7 Music is a rising star in the Ghanaian music industry, and his talent and hard work have earned him a loyal fan base. With his unique sound and dedication to his craft, it is only a matter of time before he becomes a household name in Ghana and beyond.

 KO7 Music's hard work and dedication to his craft have paid off, and he has worked with various record labels such as Sent One Records, Wireless Moni Crew, and Team Success Entertainment. He is currently signed under 7Muzik record label and has been making waves with his latest song titled ‘No Fake' and enjoying good streaming numbers in the digital space.

Song Via Link Below

BOOMPLAY

https://www.boomplay.com/songs/127066803?srModel=COPYLINK&srList=WEB

AUDIOMACK

YOUTUBE

 2023 shows played by Ko7

1. OBOUBA FM EASTER AKWAABA BASH

2. ADOM FM KWAHU EASTER

3. AFC

4. Ghana tertiary excellence awards

5. Ko7 Accra invation  annual show organized by Team Ko7

6. Eastern music festival

7. The trap bars lunch

8. Eastern Music awards

9. XSSENCE party

10. Ponobiom & friends pool party.

11. Ghana talk radio street carnival

 2024

1.       Poum fest

2.       Rep your jersey pool party

3.       Kwahu music awards

4.       Adom Kwahu Easter(in March).

PR STORY BY : ZOLLA NIE

PR & MARKETING COMMS EXEC,

FOUNDER LIVENEWSGH

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ENTERTAINMENT NEWS

Jonilar Urges Ghanaian creatives to watch industry trends

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Jonilar Urges Social Media Platforms to Revamp Copyright Policies and Fairly Compensate ContentCreators

Ghanaian digital music expert  known in real life Jonathan Nii Laryea  has stressed the importance of understanding industry standards, pointing out that many talented creatives struggle due to a lack of awareness about some of the key aspects that could determine their success.


, who doubles as Ghana country director and brand ambassador for Uganda-based aggregator Omziki, made this known while speaking at the second edition of the Digital Music Education Seminar held on 23 March at the Okumah Executive Lodge in the Bono East region of Ghana.


The seminar, running under the theme bridging the Gap between Music Education and the Industry, sought to equip musicians and creatives with essential knowledge about the music industry.


Other speakers for the event included health professional and MC Yaw Ampofo Adomako, public relations expert Isaac Sosito, as well as broadcasters Gideon Kwame Sarkodie and Bretuoba Kwabena.


Jonilar noted that instead of solely relying on social media for support, musicians should invest in learning how to establish connections within the industry. He further urged local media to prioritise crafting radio content that educates creatives and reiterated his call from last year's event to the government and other stakeholders to invest in digital music incubator programmes in junior and senior high schools nationwide.

At last year's seminar,Jonilar also proposed a one-year tax break for media and influencers promoting arts, music, and tourism to bolster Ghana's creative and cultural sectors.


Ampofo, meanwhile, emphasised the significance of mental wellness for creatives,
highlighting its role in preventing unforeseen consequences, while Kwame Sarkodie advised musicians to cultivate business relationships with media professionals to enhance their visibility on radio. Sosito underscored the importance of improving communication skills and seeking professional assistance in managing one's brand. 


Speaking to Music In Africa, Jonilar said the event “has been very impactful,” adding that he was excited about the turnout. “It shows the zeal and level of commitment by musicians and creatives here to learning new ways they can advance their careers.”

Story; Gabriel Myers Hansen

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ENTERTAINMENT NEWS

Michael Adjetey and Ebenezer Okrah Call For “Change” In Powerful New Single 

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Michael Adjetey

In their latest musical collaboration, Michael Adjetey and have taken a bold step to address issues in African society. Their new song, titled ‘Change,' serves as a powerful call to action, urging Africans and Ghanaians to demand accountability from their political leaders. The artists emphasize that the failures of corrupt politicians should not be tolerated or excused, and instead advocate for a collective effort towards positive change.

At a time when corruption and political misconduct continue to hinder progress in many African nations, ‘Change' serves as a much-needed anthem for disillusioned citizens. Michael Adjetey and deliver an empowering message, encouraging Africans to take a stand against the rampant corruption that has plagued their societies for far too long. Through their lyrics, the artists emphasize the importance of holding politicians accountable and demanding transparency in governance.

The song ‘Change' highlights the artists' frustration with the lack of development and progress resulting from the actions of corrupt politicians. Michael and Ebenezer's lyrics convey a sense of disappointment, as they express the belief that Africans and Ghanaians deserve better leadership. They emphasize that the failures of politicians should not be an excuse for the stagnation of their countries; instead, it should be a catalyst for change and collective action.

‘Change' by Michael Adjetey and Ebenezer Okrah serves as a rallying cry for Africans and Ghanaians to address the issue of corruption in their respective countries. Through their powerful lyrics, the artists urge citizens to hold their leaders accountable and work towards achieving a brighter future. This song has the potential to inspire a collective movement towards positive change, empowering individuals to actively participate in shaping the destiny of their nations.

Ebenezer and Michael believe in hard work. However, they also affirm the believe that without God, nothing is impossible. They implore society in general to change from iniquities to holiness, for what shall it profit a man/woman, if you gain the whole world but lose your soul. “Change” is a clarion call for salvation, not only to the politicians, but to all humanity. So, going forward, if we say “OPUTUNUU”, you say “WA MA TSA K3 MI”. We've got to change inside y'all. Change MUST Come.  

Audio Link : https://ditto.fm/eochange

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